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Kai Cenat’s Mafiathon 3: The Rejects’ Epic Surprise Performance
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Continue reading →: Kai Cenat’s Mafiathon 3: The Rejects’ Epic Surprise PerformanceThe All-American Rejects made a surprise appearance during Kai Cenat’s Mafiathon 3, turning Twitch chaos into a live music moment that blended nostalgia and internet culture perfectly.
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Continue reading →: The All-American Rejects Deserve This Moment: Headlining Warped Tour Long Beach 2025The All-American Rejects are in the midst of the summer of their lives, but they’re not slowing down anytime soon. Fresh off a viral comeback fueled by a backyard house party tour, an amazing medley performance during a Savannah Bananas game, and an upcoming stadium run with the Jonas Brothers,…
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Continue reading →: The All-American Rejects – Kids In The Street (2012) Retrospective ReviewEven if you didn’t love it when it first dropped, chances are Kids In The Street has grown on you over the years. Why? Because the older you get, the more this album resonates. It’s a time capsule — a nostalgic trip back to being a kid in the street,…
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The All-American Rejects Were Never Just a Scene Band
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Continue reading →: The All-American Rejects Were Never Just a Scene BandWhen people talk about early 2000s rock, The All-American Rejects often get shuffled into the usual categories: pop-punk, emo, Warped Tour band. But the truth is, none of those labels really fit — at least not completely.
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The 2000s Are Back?! New Music Friday
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Continue reading →: The 2000s Are Back?! New Music FridayIn a single week, The All-American Rejects, The Starting Line, and Yellowcard each dropped new music.
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The All-American Rejects – Easy Come, Easy Go (Review)
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Continue reading →: The All-American Rejects – Easy Come, Easy Go (Review)“Easy Come, Easy Go” is one of the best songs The All-American Rejects have dropped in over a decade.
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All-American Rejects “House Party Tour”
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Continue reading →: All-American Rejects “House Party Tour”After decades of radio hits, platinum plaques, and label pressures, AAR is cutting through the noise by going straight to the fans — no middlemen, no inflated ticket prices, no soulless arenas. Just music, sweat, nostalgia, and crowd surfers destroying fences.
